Thursday, May 27, 2010

To be reconciled

The cross for Christians is often a symbol of atonement. It’s the means whereby people are reconciled with God through the shedding of blood. It’s a beautiful event full of implications for today and the age to come. But honestly, it can be a bit hard to grasp why it had to happen and how it worked.

Thao and Sue are young and bright. They need a bit of direction, but otherwise they are on their way to good lives. However, they live in a gang-ridden neighborhood, which almost guarantees they won’t arrive at the good life in one piece.

Don Miller—a foremost advocate of story and how we each need to be a part of one—offers this succinct definition of story: “A Character that wants something and overcomes conflict to get it.”

Gran Torino points toward the future and “getting it” for Thao and Sue. But the key character in the story, Walt, is seeking his own atonement: reconciliation with himself and peace in his soul from the demons of war. In the process of connecting with his new Hmong neighbors, the trenchant racist Walt finds his elusive peace and helps them overcome the conflict, almost against their wishes. It is obvious that they won’t be able to do so themselves. This variation on classic story resonates well with the Christian message: We all need help to overcome conflict to get that something.

Crosses and blood are ubiquitous symbols in Gran Torino. At times they are mocked by characters; other times they are employed quite reverently by unlikely characters. These lead to one of the most beautiful stories of reconciliation I’ve seen—one that helpfully illustrates an answer to the questions of atonement above.

When the movie began, I feared I was in for a long two hours. Walt is such a crotchety, foul character, but as the story progressed, I felt a certain fondness for him. Clint Eastwood worked a fine masterpiece producing, directing, and acting this film. His Walt is a strong character whose development we see in fine detail. The plot is not as intricate as the characterization, but there is a strong one. Sometimes the music felt a bit obvious, but it was certainly a foreshadowing cue.

Gran Torino is not a movie for the faint of heart. I know some who would not be able to sit through the language and racism that suffuses this film. But if you can stomach these, there is a rich payoff as you let yourself live in this story of reconciliation and redemption for two hours.

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